In 2016, Savage Arms introduced the Model 42 "Takedown" model which breaks down with the push of one button.
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It features black plastic furniture and the adjustable rifle sights can be removed to install a scope base. The Model 42s barrels are 20 inches long, and the upper barrel fires. The Savage Model 42 combo-gun was introduced in 2012, as the successor to the Model 24. It also has a checkered stock and a shotgun bead sight. Like all later Model 24s, it uses a single trigger and single exposed hammer with a barrel selector lever incorporated into the hammer. The Savage Model 242 is virtually identical to the Model 24, except that both barrels are chambered for. Later models had the selector on the top of the exposed hammer (forward/down for shotgun barrel and back/up for the rifle barrel) with a cross-bolt hammer-block safety through the receiver.
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The Stevens and early Savages models have one trigger and an exposed hammer, with a barrel selector on the right side of the receiver (up for the rifle barrel and down for the shotgun barrel) and no manual safety. As well as, a variety of finishes and grades. They came with both wood and plastic stocks that may or may not hold extra ammunition in the butt. And, the lower shotgun barrels were chambered for. The upper rifle barrels were chambered not only in. Over its many years of production, it was made in a number of versions, including a pistol grip model that is only 26 inches long. It may also be disassembled for ease of storage. 410 gauge model weighs 7 pounds, has 24-inch barrels and an overall length of 41-inches. In 1950, Stevens stopped making the 22-410, and Savage introduced the same gun as the Model 24. During World War II the United States Army Air Corps purchased some 15,000 Model 22-410s for use as survival guns. The kids, and everyone working on the show were great people! Thanks for a fun time!Īnd if anyone can find me a viewable video of the episode, let me know! All I can find online is the episode 8 trailer on this page.The Savage Model 24 was actually introduced by Stevens Arms as the Model 22-410 in 1938. I am proud to say that although the drawings on the show are not anywhere near my usual quality, (definitely not the kind of drawings I would want to showcase on television) that I stepped up the the challenge having been asked to do this like, the night before.
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Being with the kids in the game-show-like atmosphere and having to draw so rapidly to the real-time-stream of consciousness descriptions while being recorded for TV was exhilarating and reminded me of my childhood love of Aragones' art and how as a kid I imagined he created. Growing up I had read that Sergio Aragones was this incredibly fast drawer, and since I loved his art in Mad Magazine, and Groo comics I always aspired to be the fastest artist I could be. On November 22nd on I was on Canadian television kid's show In Real Life.ĭrawing for the show was quite a challenge as I had to draw on the spot based on a string of descriptions run off, on the spot, by the young contestants on the show, while both the kids and I were simultaneously timed! I have never drawn like that before and it was a challenge and a fun one at that. It made me feel like a kid again looking at level maps in magazines like Nintendo Power trying to figure out say, the racer level in Battle Toads. This image is one of them, and it was so fun to design side-scrolling levels this way. On Astro Boy we were creating a side-scrolling platformer, and I got to do some napkin-doodles and quick sketches of level design ideas for the designers. The result was great.Įven though I have a title of Artist, most of the time I have my hands, and mind in many aspects of the process. With so I came up with the idea: Lets play a pre-rendered video in the background and have the characters just superimposed over it! It was tempting to model these backgrounds at a high resolution, higher detail than the consoles would normally be able to render real-time, since these backgrounds were going to be just videos playing in the background, but in order to keep the illusion that these were actually in-game assets, and not burden the player with realizing the background was a videowe modeled and rendered them as close to in-game assets as possible. Through bad guys and obstacles, but we couldn't afford to actually loadĪnd render that kind of a background on the platforms we were working Through these massive and complicated environments, dodging and fighting The idea for the level was to have Astro Boy fly I am especially proud of that level because we very creatively solved
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